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A brief tri back home turns into a longer stay when Eric finds himself caught between catching u with his two sisters and conquering his old oker grou. The more Eric extends his visit to rove that he is still the best oker layer in town, the harder it becomes to steer clear of the old fault lines in his relationshi with his sister Rachel. As their little sister Maggie attemts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. Dislaying all the sensitivity and wicked humour of his revious works, Dustin Guy Defa’s new film is a shrewd study of the itiless condition known as adulthood. After growing u in a family unit that constitutes your whole world, with its articular set of habits and a shared language, crossing the border into the realm of adults can feel disemowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic deth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt dee within as individuals and as a family is an admirable trio of actors whose interretation is as nuanced as it is oignant.