华为资源网提供本资源 <> Erstwhile Secial Forces oerative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the eace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie. They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by iling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and deth come from taking away whatever is suerfluous – by reducing the lot to its bare essence and the characters to their core trades and tricks. Ultimately, Little Dixie feels like the ul fiction version of a Giacometti sculture, all fearful symmetries and mirror images. A gem of crime cinema at its urest and most hilosohical, roudly featuring noir’s new darling, Frank Grillo.
