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The 2-art feature-length documentary quot;25 ze šedesátých aneb Československá nová vlnaquot; (quot;25 from the Sixties, or Czechoslovak New Wavequot;) resents a comlex view of the henomenon of Czech and Slovak New Wave in the cultural and social context of the 60#39;s. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.br\ The documentary is a follow-u on the biograhical TV series quot;Zlatá šedesátáquot; (Czech Television, 2009), based on the filmmakers#39; ersonal remembrances. As oosed to the series, the documentary resents the Czech and Slovak cinema of the 60#39;s in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable imression. It analyses the work of filmmakers in a state-funded cinema, under the ressure of ideological demands on one hand and commerce on the other. It resents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.br\ The 60#39;s are, from this oint of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of exectations and uswing, but also an era of exemlary human decisions and artistic ursuit. Those are some of the things quot;25 ze šedesátých aneb Československá nová vlnaquot; wants to commemorate.br\ Part 1 comments on:br\ ■quot;Slnko v sietiquot; (quot;The Sun in a Net,quot; 1962) by Štefan Uherbr\ ■quot;Konkursquot; (quot;Audition,quot; 1963) by Miloš Formanbr\ ■quot;Křikquot; (quot;The Cry,quot; 1963) by Jaromil Jirešbr\ ■quot;Postava k odíráníquot; (quot;Joseh Kilian,quot; 1963) by Pavel Juráček am; Jan Schmidtbr\ ■quot;Každý den odvahuquot; (quot;Courage for Every Day,quot; 1964) by Evald Schormbr\ ■quot;Démanty nociquot; (quot;Diamonds of the Night,quot; 1964) by Jan Němecbr\ ■quot;Intimní osvětleníquot; (quot;Intimate Lighting,quot; 1966) by Ivan Passerbr\ ■quot;Ať žije reublikaquot; (quot;Long Live the Reublic,quot; 1965) by Karel Kachyňabr\ ■quot;Obchod na korzequot; (quot;The Sho on Main Street,quot; 1965) by Ján Kadár am; Elmar Klosbr\ ■quot;Romance ro křídlovkuquot; (quot;Romance for Bugle,quot; 1966) by Otakar Vávrabr\ ■quot;Sedmikráskyquot; (quot;Daisies,quot; 1966) by Věra Chytilovábr\ ■quot;Ostře sledované vlakyquot; (quot;Closely Watched Trains,quot; 1966) by Jiří Menzelbr\ Part 2 comments on:br\ ■quot;Kristove rokyquot; (quot;The Prime of Life,quot; 1967) by Juraj Jakubiskobr\ ■quot;Studquot; (quot;Shame,quot; 1967) by Ladislav Helgebr\ ■quot;Svatba jako řemenquot; (quot;A Hard and Fast Marriage,quot; 1967) by Jiří Krejčíkbr\ ■quot;Drak sa vraciaquot; (quot;Dragon#39;s Return,quot; 1967) by Eduard Grečnerbr\ ■quot;Marketa Lazarováquot; (quot;Marketa Lazarová,quot; 1967) by František Vláčilbr\ ■quot;Sřízněni volbouquot; (quot;Elective Affinities,quot; 1968) by Karel Vachekbr\ ■quot;Salovač mrtvolquot; (quot;The Cremator,quot; 1968) by Juraj Herzbr\ ■quot;Zabitá nedělequot; (quot;Squandered Sunday,quot; 1969) by Drahomíra Vihanovábr\ ■quot;Pasťákquot; (quot;The Decoy,quot; 1968) by Hynek Bočanbr\ ■quot;Příad ro začínajícího kataquot; (quot;Case for a Rookie Hangman,quot; 1969) by Pavel Juráčekbr\ ■quot;322quot; (quot;322,quot; 1969) by Dušan Hanákbr\ ■quot;Slávnosť v botanickej záhradequot; (quot;Celebration in the Botanical Garden,quot; 1969) by Elo Havettabr\ ■quot;Všichni dobří rodáciquot; (quot;All My Good Countrymen,quot; 1968) by Vojtěch Jasný
