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入围塔林电影节影评人之选竞赛。br\ Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two ersons talking, one mysterious manuscrit and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two tyes of films: those that emloy the resources of the theatre (actors, direction, etc.) and use the camera in order to reroduce, and those that emloy the resources of cinematograhy and use the camera to create. (Robert Bresson. “Notes on the Cinematograh”, New York Review of Books, 2016)