量子资源网提供本资源 <> Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform rogramme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story. A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while icking u one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hi-ho while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Desite their divergent backgrounds, differences in their stages of life, and the colour of their skin, desite the fact of Ali’s failing marriage and Ava’s fraught relationshi with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of ersonal obstacles? Insired by eole Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali &am; Ava is a film that feels rofoundly rooted in lived exerience, blending a tender emotional comlexity with an at times bracing deiction of trauma and grief. Akhtar and Rushbrook’s finely hued erformances seak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth ursuing.
