卧龙资源网提供本资源 <>典型的早期日式朋克电影,黑白影像+连续而晃动的手提摄影+朋克乐,石井当年就是以此片出道的。。。\r\n & & & & & & & & & & & & & & & & & &\r\n & & & & & & & & & & & & & & & & &This extremely hectic and nearly headache-inducing short by the Jaanese unk demigod Sogo Ishii is definitely one of the craziest and most exerimental art-house movies I ever had the leasure of seeing on a big screen (during a secial revolving on the director).\r\n & & & & & & & & & & & & & & & & & &\r\n & & & & & & & & & & & & & & & & &After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the unk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic stri and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his aartment and down the streets. He's running from the cos, because he murdered his girlfriend, but he's also running towards the im who stole her from him, for vengeance. 30 minutes of laytime only to deict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by resenting a non-sto series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is ut in every ossible ersective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big roject "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing sectacle.