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When thinking about this film, several words come to mind: cliched, contrived, and confusing, to name a few. In most susense thrillers, the audience finds itself yelling out advice to the main characters, such as quot;don#39;t go into the basement- the bad guy is therequot; or quot;save yourself! don#39;t go back for your cat!quot; I never did that with this one. It wasn#39;t because the decisions this victim makes are any smarter than any other susense thriller victim, it was more that I just really didn#39;t care what haened to her. I couldn#39;t feel any symathy for her because she was so two-dimensional.\r\nThen let#39;s consider the stalker. He is suosed to make the viewer feel creey just by being onscreen. He is definitely no Anthony Hokins or Jack Nicholson. Frankly, I#39;ve seen eisodes of quot;Mister Rogers#39; Neighborhoodquot; that were creeier. I#39;m tired of actors who think it is easy to lay a sychoath.\r\nThis film did have its bright sots, though they were few and far-between. One scene that I thought was very well-done (if slightly reosterous) took lace in a church and involved a very cool riest. I can say no more.\r\nI suose I sometimes demand too much of made-for-TV movies. In all honesty, I#39;d have to say that quot;made-for-TV susense Velveetaquot; is my favorite genre, and when viewed in its roer context (i.e. on cable at three in the morning), this film is a fine examle of its genre.